Tag Archives: crowder

New Music Rodeo! Whoop!

i do dig me some music. and i’m old school — i still buy it (as in, download it from the itunes store; though i get a ton of awesome indie free stuff from noisetrade). in the last few weeks, i’ve totally overshot my normal purchasing rate, because i’m weak, and there have just been too many amazing albums.

here’s what i got, and a peek into my eclectic-but-specific-and-opinionated taste:

shovels-and-ropeShovels & Rope: Little Seeds

pre-ordered this one, and have two songs so far. i found Shovels & Rope a couple years ago via a free download on noisetrade, and have become a huge fan. bluesy, indie, husband and wife duo, with amazing harmony.

the-bad-plusThe Bad Plus: It’s Hard

TBP is, hands down, my all-time favorite jazz act. i have 13 of their albums. a jazz piano trio (piano/bass/drums), every member is a virtuoso. i love their original tunes, but i fell in love with them because of their inventive cover songs. they haven’t had cover songs on their last few releases, so it’s a massive treat that this album is all covers.

crowderCrowder: American Prodigal

another pre-order. what’s to say, other than i dig both the man and his music. always have.

jon-batisteJon Batiste: Jazz is Now

you might recognize jon batiste as the band leader for stephen colbert. that’s where i was introduced to him. i love his style and decided it was time to pick up one of his albums. i chose this slightly older release over his newest stuff with his current band (Stay Human), and have almost worn out its digital grooves. (btw: Christianity Today recently listed him in their article on culture shapers.)

jack-whiteJack White: Acoustic Recordings 1998 – 2016

jack white is the man. jack white is to me what 21 Pilots is to a 13-year-old girl. he’s musical crack for me — everything he releases. this is a compilation of acoustic recordings (some in original form, some stripped down versions) that span various bands and jack iterations. oh, and it’s double-length. yee-haw.

miaM.I.A.: AIM

you know, that girl who had the mega-popular song Paper Planes (“All I wanna do is / And / And take your money”) a few years back. i’m not normally a fan of dance music, but i love the world music influences and pretty much everything else about her music. it’s PUMP YOU UP music.

macy-grayMacy Gray: Stripped

ah, the voice of macy gray. how to categorize her: post-soul? r&b? all i know is her voice is amazing, in a gritty, sexy way. this album shows maturity (we’re all getting older, after all), and leans well into jazz on some tracks. it’s mellower than some of her angrier stuff of the past, and i like it.

wilcoWilco: Schmilco

normally an amazing alt-rock band (last year’s release Star Wars was UH-MAZING), this time around they go with a WAY-stripped down, almost acoustic album full of inventiveness and lyrical depth. so good, in a more chill way than past releases.

frank-oceanFrank Ocean: Blond

despite the buzz, i hadn’t planned on getting it. but my son’s strong suggestion (begging?) caused me to give it a listen. and — wow. reminds me of a guy version of beyonce’s lemonaide, a little in sound, but more so in its variety and creativity. i guess the genre is called ‘post-soul.’ but all i know is i’ve been listening to it nonstop for 3 days.

Crowder’s Neon Steeple (win a copy!)

crowder

thanks to the live streaming on itunes radio (available through today only), and then thanks to the record label who sent me a copy of the album in the mail, i’ve been listening to Crowder’s new album, Neon Steeple, almost nonstop over the past week (a few little breaks to listen to the new Coldplay album and the new Conor Oberst album). the album releases on itunes, and everywhere else, tomorrow (tuesday, may 27).

neon steeplei realize i’m biased, since i’ve loved Crowder’s music for a long time, and even more biased because i like him as a person. but it almost doesn’t matter which new direction david goes with his music: i love it musically, and love it lyrically. this album is, unquestionably, his most eccentric and eclectic, ranging from bluegrass and old-timey church songs that johnny cash could have sung, to alt-pop worship, and even a couple tracks i can only classify as “dance” numbers. neon steeple is the baby that marcus mumford and emmylou harris and johnny cash and hank williams and king david (the psalmist) and someone representing alt-pop (maybe the xx, or–OOH!–the ting-tings) would have, uh, birthed together. that just got weird; but, again, i love eclectic.

if you want the same old vanilla christian easy listening, this is not your music. but if you want honest lyrics, unwaveringly god-focused (as Crowder’s songs have always been), with a wild variety of musicality that leans to the down-homey (lotsa banjo, baby), you’ll be a happy listener.

and, i have two copies of the deluxe edition of the CD (17 tracks!) to give away. in the past when i’ve given these away, i’ve gotten a ton of comments, because i made it easy on you (which made it hard on me); so i’m going to inverse that equation this time around. if you want one of these FREE CDs, you must write a haiku about Crowder. that’s right: three lines, of 5, 7, and 5 syllables, respectively. i’ll pick the best two, email you for your address, and your CD will be mailed to you.

i mean, Crowder put quite a bit of creative energy into creating this baby, so a little creative effort on your part seems warranted, right?

whatcha got?

winner, winner, crowder dinner

hey, nice job, peeps. fun entries.

i’m sad to be forced to not consider a handful that don’t fit the required haiku form (3 lines, of 5 syllables, 7 syllable, and 5 syllables, in order). some of you don’t quite get that, or just didn’t care!

hands down, the winner is absolutely Rob, for his brilliant three word

Virtuosity
Interdisciplinary
Pogonology

(for those not in the know, “pogonology” is “the study of or a treatise to beards”)

the second winner was more difficult; but i’m going with Chuck’s for sheer randomness and absurdity:

I met Crowder once
He smelled like freedom and steak
No wait, that was me

thanks for playin’, everyone!